The Light Fades but the Gods RemainOver thirty years have passed since Bill Henson made his iconic Untitled 1985 86 series. These mesmerizing photographs cast a hazy procession of people and places in suburbia, interspersed with dreamlike vignettes of Egyptian structures. Now, Henson revisits his home suburb to create new work. While these photographs return to the same cul de sacs as the Untitled series, they show an environment that appears to have slipped out of linear time. Hensons

as transcendent as it is harsh

raise fundamental questions about the circulation of invisible energy and natural matter

from mugshots to celebrated icons of photojournalism

and a portrait

made over the course of a decade

and Jake Skeets

Nona Faustine depicts herself at the sites of slave auctions

treading the same path day after day

“ICE BOX” was created during this fertile time

when Jonze went out to photograph the band for the cover of Dirt magazine

with renderings both lyrical and immediate

It was a failed attempt to escape