Stolen Property - Can't Beat ThatDance music at it's best regardless of genre was always the mission of the underground independent Afrowax label which proved to be a breeding ground of inventive up and coming DJ producers from Japan, Canada, England, Germany and the U. S, many of whom went on to become household names. The Afrowax brand became synonymous with the speed garage and progressive house movements of the late 1990's. Stolen Property's "Can't Beat That," one of the classic

until it became the product par excellence of instrumental music around the first half of the 18th century: without Vivaldi and his concertos

naturalistic way with his music

he approaches through two processes: quotation and evocation

The album references influences and ambitions in it's song titles and lyrics while the music itself is anthemic in it's sonic and structural aspirations

Vadim Gluzman takes on the work that in the beginning of the 19th century mapped out a new course for the genre: Beethoven's Violin Concerto in D major

Eve has put her whole life into the business

longing for the energy that's only released when creating together with others

Dusapin/ Deforce/ Dieltjens - Pascal Dusapin: Item

reveal an era of unparalleled musical invention and exploration

" "Static" experiments with dark ambient rhythms and odd samples

singer and more

12 for cello and orchestra